Product Description

In 2001, after over a decade in the business, Stewart Lee quit stand-up, disillusioned and drained, and went off to direct a loss-making opera about Jerry Springer. This book details his return to live performance, and the journey that took him from an early retirement to his position as the most critically acclaimed stand-up in Britain.

Product Details

• Amazon Sales Rank: #87758 in Books
• Published on: 2010-08-05
• Original language: English
• Binding: Paperback
• 384 pages

Features

• New
• Mint Condition
• Dispatch same day for order received before 12 noon
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• No quibbles returns

Review
'Lee's bumper DVD extras-style assemblage echoes the revelatory sprawl of David Foster Wallace's Infinite Jest.... Stewart Lee has created a book which is at once a notable repository of technical insight, an invaluable insider's guide to three decades of British comedy, and as revealing a portrait of its author's life and opinions as even the most self-consciously confessional of conventional celebrity memoirs.' -- Ben Thompson, Independent on Sunday
br > ' (A) fascinatingly detailed account of what inspired, motivated and influenced his creativity ... the trials, insecurities and passions that have fuelled him over the past ten years are so honestly, amusingly, eloquently, and, often, viciously expressed that it only serves to further confirm his position as one of our leading 'alternative' national treasures. -- Time Out
br > 'It s a simply remarkable piece of writing: funny, wise, partial, propulsive. And then there are the footnotes, which comment on the shows like some frank, deliciously-detailed DVD commentary ... His writing ... has the irony, honesty, petulance and righteous zeal that we Lee fans demand ... an essential, invigorating investigation into the art, craft and culture of stand-up comedy. -- Dominic Maxwell, The Times
br > Required reading for comedy fans ... (Lee) is analytical, critical and perfectly willing to say when he finds himself proud of something he wrote, or occasionally ashamed. It is a fascinating insight into the process of creating comedy, and making months of work feel like a fresh, spontaneous show each night ... This book should win him some new fans and cement the dislike of old detractors. And it's impossible to imagine he would ever choose to do anything else. -- --Natalie Haynes, Observer

His marginalia offer an absorbing history of alternative comedy since the late 1980s, affectionate pen-portraits of misunderstood heroes, such as Johnny Vegas and Simon Munnery, and fascinating insights into his craft ... the wonderful achievement of this book is that it makes you as excited as Lee is by the capabilities of a man in a dark room with a microphone. -- Richard Godwin, Evening Standard
br > It rules! Have you ever noticed how transcripts of stand-up shows can make for some of the best fun material going? ... so long, so bitter and so thoroughly enjoyable. --Dazed and Confused
br > Funny, honest and insightful throughout. It deserves to make its author even more than he appeared on HIGNFY ... like the author s stage act, it is elliptical, repetitious and, inevitably, solipsistic. But in a good way ... in the hands of a lesser talent, this would be unbearably tedious, but Lee s verbal dexterity and exhaustive knowledge manages to make the experience cumulatively hilarious. -- --John Naughton, Word magazine

It works brilliantly ... complementing the very well-written autobiographical narrative that connects the routines and the footnotes are such rich mini-essays that I reached the end wishing there was an index, in order to relocate such observations as Lee s comparison of the Mighty Boosh's offbeat comic timing to dried stalks of spaghetti being dropped onto a china plate . How I Escaped My Certain Fate is a sophisticated demonstration of the poetics of comedy by an artist who, like Wilde, has been moved to public contrarianism in the belief that there is no sin except stupidity . -- Jeremy Noel-Todd, Daily Telegraph
br > It's a sort of autobiography, but really just as much a book about the way British comedy has changed ... usually, such copious asides are the sign of a very bad book but Lee pulls it off, mainly because his notes are invariably insightful, and frequently very funny. -- --William Cook, Independent

About the Author
Stewart Lee began stand-up in 1988 at the age of 20, and won the Hackney Empire new act of the year award in 1990. In 2001 he was asked to write the libretto for Jerry Springer: The Opera which went on to win four Olivier awards. His most recent stand-up shows have been Stand Up Comedian (2004), 90s Comedian (2005), 41st Best Stand-up Comedian (2007) and If You Prefer a Milder Comedian, Please Ask for One (2009). Stewart Lee's Comedy Vehicle, featuring stand-up shows and sketches, appeared on BBC2 in Spring 2009.